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There is not a huge difference between the top three programs, with scripts written in Final Draft coming out on top with an average score of 5.3 out of 10, Fade In with 5.0 and Movie Magic with 4.9.įinally, let’s take a look at what screenwriters think of each of the major programs. That’s not because those programs make scripts worse, but rather because in screenwriting there is a strong link between experience and quality, and one would expect serious screenwriters to have taken the time to acquire a dedicated program to write in. It will surprise few to learn that scripts written in general word processing programs performed the poorest.

9% of scripts were written in programs not intended for screenplay creation, such as Word, Pages and, yes, even NotePad.įor each script, we have a Review Score, out of ten, given by the professional script readers who reviewed the script. Celtx was second at 12%, followed by Movie Magic Screenwriter (8%), WriterDuet (7%) and Fade In (4%). the chart shows percentages of scripts for which we could determine the source program.įinal Draft again tops the pack, with a market share of 59%. Sadly there were a few programs which did not reveal themselves via this process and so they have not been included in the chart below.

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Using metadata in the PDF files, we were able to determine which program was used to write the majority of the over 12,000 scripts in our script readers study. Next, let’s take a look at which is the more frequently used program. The second place program is Celtx, which lags behinds at 39% and 49% respectively. Let’s start with brand awareness. Within my survey of over 2,000 screenwriters, I asked respondents whether they had ever used each of the seven major screenwriting programs.ĩ3% of professional screenwriters have used Final Draft, as have 76% of aspiring screenwriters. Right, let’s take a look at how they fare… 1.

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Your first three scripts are free, after which you’ll need an annual Pro subscription. Launched in 2013, it is currently a cloud-based online tool. In 2006 it was renamed and converted into an open-source free product. It was initially launched as a commercial product called ‘Blyte’ in 2003. Launched in 2007 and designed for many types of writers including novelists, journalists and screenwriters. Movie Magic Screenwriter was created by the combination of two older screening programs – ScriptThing and Scriptor (which was awarded an Academy Award for technical achievement in 1994).

Movie Magic Screenwriter – $250 purchase.

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PC users got their first release five years later in 1995. Final Draft is the old package, with its first Mac version launching in 1990. Launched in 2011 and aimed squarely at the top end of the screenwriting industry. It is now a paid, cloud-based subscription service.

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Celtx was previously a free, open-source, desktop software but development stopped in 2011 and it was officially discontinued in 2017. Here are the seven packages I have data for (presented in alphabetical order): There is more information about both of these sources in the ‘Notes’ section at the end of the article. (In the real world the distinction is rarely so neat but I felt it was important to provide at least some filtering by experience). This allowed me to split the screenwriters into two groups: “Professional” and “Aspiring”. I asked respondents questions about their professional experience in screenwriting, such as whether they have ever had an agent and how much they have earned from writing.

A survey of 2,128 screenwriters I carried out with Screencraft in January 2019.

These scripts were either entered into a Screencraft script competition or submitted to receive a script report in 2016, 2017 or 2018.

A dataset of 12,309 feature film scripts from my recent collaboration with Screencraft in which we measured the opinions and values of professional script readers.

I’ll be drawing on two sources of data to do this:

Attitude – What screenwriters think of each program.

Activity – Percentage of scripts written in each program.

Awareness – Market penetration among screenwriters.

I thought it would be interesting to take a quick look at the biggest packages on the market and see how they stack up against each other. Way back in the early 1990s, software packages were being launched which empowered screenwriters to craft their work safe in the knowledge that they could maintain multiple versions, back up important scripts and meet the industry’s tough formatting guidelines.Ĭut to thirty years later and now there are dozens of packages available, many offering extra features to help writers with brainstorming, planning and reporting on all aspects of the script. Screenwriting was one of the first sectors of the film industry to embrace digital technology.

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